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Bit-Rate Reduction Techniques in Digital Audio 
Dr. Roland Tan
Thursday, 24 April 1997

reported by: Mr. Jibby Jacob
                  Secretary (Term 1996/97)

On Thursday, 24 April 1997 at 7.45 pm at the Ngee Ann Polytechnic - Department of Electrical Engineering's staff conference room, AES Singapore Section's Chairman, Dr. Roland K. C. Tan conducted a 1-hour tutorial session to 4 members and 9 guests on "Bit-Rate Reduction Techniques in Digital Audio".

Traditionally, waveform coding technique have been applied successfully both in the field of speech and audio signal processing. The main objective of Dr. Tan's talk was on incorporating parametric coding technique as an alternative to waveform coding techniques for applications such as internet communications that use low bit-rate channels. The performance of APCM, ADPCM, and ADM is first compared against LPC parametric doing technique, to determine their compatibilities with sub-band coding.

The proposed MASC algorithm uses parametric coding combined with multi-pulse LPC and sub-band coding.

Adaptive perceptual error F-weighting filter is incorporated in the LPC optimization loop to motivate the excitation pulse locations. A further efficiency enhancing strategy allocates the number of excitation pulses within the sub-band set based upon the instantaneous power. It was demonstrated that these techniques could achieve improved subjective sound quality within a constrained bit budget. 

Dr. Tan then gave a sound demonstration to the audience using pre-recorded musical materials that have been processed with the proposed MASC algorithm at a reduction ratio of more than 6:1. This is equivalent to coding at less than 3-bit/sample in the linear PCM format. Both classical as well as pop music materials were used. MASC codec could offer high sound quality without discarding samples based on noise masking theory found in some existing algorithms. During the question-and-answer session, several questions were raised. In response to one of the questions, Dr. Tan agreed that there should be no reduction in bit-rate associated with current 16-bit or even higher density (24-bits/ 96 kHz) linear PCM format as far as archive materials are concerned. This is especially so since the availability of higher density DVD storage technology.

However, to be able to substantially reduce the high data rate associated with the newer format has strong economic and design consequences in other applications such as the storage and transmission areas. For examples, the higher resolution quality can be "preserved" onto current CD storage medium at 16-bits/44.1 kHz without compromising the total playing time of around 74 minutes. Alternatively, musical signals can be encoded and transmitted through the ISDN channels at a compressed rate of 128 kb/s. In Digital Audio Broadcasting (DAB), more high-quality stereo or even multi-channel programmes can be multiplexed into the finite electro-magnetic spectrum. 

 


Copyright 1997 AES Singapore Section